Spot-On pigments: Outstanding results guaranteed!
Sure-fire blends along with professional mixing substrates for mixing your own colours. Great adhesion and vibrancy. Big 45 ml jars. We thought of everything!
Pigments make the weathering world go round! Properly applied allow us to create various, realistic weathering jobs. Use pigments with specialised Pigment Expert binders to produce your dream weathering effect!
Never see a bad pigment job again!
Spot-on pigments are up to scale, tested-safe colours that will naturally harmonise with your model's paint coat, no matter if it's Russian green or panzer grey. Spot-ons remain accurate regardless of technique and medium used. No matter if you use them with binders (which affect colour in a number of ways) or apply the pigments as simple dusting the colours will remain appropriate! Our blends contain up to 4 basic colours for maximum accuracy!
Pigments that stick around!
Spot-ons are 100% filler free meaning the colours are vibrant and the grain size is in order. Grain sizes are 0,2 µm and less! Light colours are mixed strictly with true white, high strength pigments. This ensures they adhere great and produce a vibrant finish. Spot-ons are a proprietary mix of both natural and synthetic pigments to ensure both great adhesion and vibrancy.
Use ready-made colours or mix your own!
The "READY" icon signifies a pigment that has been premixed for you. Simply combine it with your chosen binder or use alone. You will end up with a great result in any case.
Spot-on pigments is the first pigment line to include dedicated sure-fire mixing colours. Pigments with "MIX" icon in their description are dedicated for mixing. Mixing your unique dream colour is a snap now!
No. 11a Burnt Armour Purple Base
Combo colour. Apply it first as described in product FAQ and follow up with Spot-On Pigment No. 11b to create burnt armour appearance. Great for modelling all kinds of wrecks and burnt out industrial buildings and structures.
Recommended techniques: apply as base layer as weathering liquid
Combine with: ENML 2.0 binders, pigment No. 11b
Available textures: zero
Available volumes: 45 ml jar
No. 11b Burnt Armour Purple Highlight
Combo colour. Blend and dry-brush this colour here and there over it's darker counterpart Spot-On pigment No. 11a to reproduce burnt armour. Great for modelling all kinds of wrecks and burnt out industrial buildings and structures.
Recommended techniques: blend in and dry brush over No. 11a base
Combine with: ENML 2.0 binders, pigment No11a
Available textures: zero
Available volumes: 45 ml jar
Burnt Armour Combo in action!
Pigments produce varying shades, vibrancy and coverage depending on technique and binders used. Showing you just the powder in a jar is not enough. For your convenience we made a presentation of the applied pigment so that you may better assess what to expect from it.
IN THE JAR
HIGHLIGHT APPLICATION IN
HIGHLIGHT BLENDED IN
How to model a wreck or burnt armour?
Paint your model using dark brown acrylics first. Mix Burnt Armour Base Colour with ENML 2.0 or Alkyd binders "standard" type producing paint and apply it with brush (smaller parts) or airbrush (for big areas - using airbrush will nullify brush marks problem). Dry the coat using hair drier. Next step is to blend in the second colour – Burnt Armour highlight – mix it with appropriate binders and blend in here and there – the dark base coat will partially dissolve and allow you to create additional shades of red and purple. Use tapping motion and use more pigments for more gritty texture of burnt armour. You may also blend in more of the dark colour whenever you overdo it with the highlight.
Alkyd, ENML 2.0 and Acrylic binders what's the deal with these products?
VMS offers specialised pigment binders for creative modellers! All binders fix your pigments but they do so in different ways. Alkyds cure slowly (up to 9h manipulation time after the solvent is gone!) and allow you to remove portions of pigment without using additional solvent, once cured they are permanent. ENML 2.0 binders cure rapidly and are fully reversible - very safe for your model, you can always remove them. Acrylic binders cure very fast and have top sealing capability but are not reversible, these are best for quick wet effects. You can use the binders not to just fix your pigments but also create your won weathering liquids and pastes! Please visit Pigment Expert page to learn more about the binders.
How to tell the good stuff from colourful dirt?
It's simple really. Good pigments have the colours up to scale (toned down) and easily cover the surface when applied as weathering liquid (mixed with binders and spread over the model with a brush). Even coverage is the case when grain size is in order, cheap pigments and fillers alike have big grain size which causes all sorts of problems in modelling. Poor adhesion and coverage issues are the main concern.
On the left VMS Spot-on EU brown earth on the right generic "sienna". Not only is the colour way off but look at the grain size and uneven coverage of "sienna' generic colour! We used the same binders and technique, gritty pigments will always lose to finer powders!
What's the deal with natural and synthetic pigments?
Contemporary pigments used in modelling fall into two categories: natural pigments or simply “earth” pigments which are ground minerals and synthetic pigments obtained by chemical reactions. Earth pigments have crystalline structure, while synthetic pigments have microcrystalline structure. Both types have their strengths and weaknesses.
Crystalline vs. Microcrystalline?
Crystalline earth pigment particles are slightly bigger, they adhere a bit worse but they allow the light to pass through and a result they produce more vibrant and natural effect. Microcrystalline synthetics have smaller particle size, they easily form tightly packed clumps and don't let so much light through. As a result they produce dull layers but adhere better. We determined that best results can be achieved while using blends of two pigment types rather than sticking strictly to earth or synthetics. VMS Spot-On pigment blends get the best of two worlds as they combine crystalline and microcrystalline pigments.
What are fillers?
Fillers are cheap white powders with grain sizes much greater that those of pigments'. Smaller pigment grains surround and stick to a bigger filler grains. The volume is increased, less pigment is needed to fill a jar, price is reduced but so is the pigment's quality and the final result - your weathering job. If some pigments you came across seem surprisingly cheap this might mean that fillers are involved. Fillers include treated plaster and chalk variants.
How do fillers affect my pigments?
Remember those grainy pigment that wouldn't stick to your model? Addition of fillers makes pigments lose vibrancy and fall off of your model easily as the grains size is out of order and don't fill the micro pores on your model so easily.
What about conserving my pigments by using plaster? My mates at modelling forum say it's OK.
You are free to add fillers like plaster to your pigments to conserve them, the problem is you may find it difficult to properly mix it in - white clumps of plaster may appear later on as you spread your weathering liquid or paste. Another drawback is the loss of vibrancy - colours will get washed out and present bad finish. Therefore we generally don't advocate the use of fillers such as plaster. To ensure that Your creative process is unhindered we offer bigger jars of the real thing and more affordable textured pigments. If there is pigment shortage and you are in a dire need of it you may add from 10+15% of plaster and be safe. For creating mud deposits; increasing volume use textured pigments which form realistic structures more easily than pigments mixed with simple plaster which lacks texture.